Gregory ANTIMONY, Producer, USA

American-Canadian producer with a rich history of crafting impactful media projects. Born in Ukraine and raised in Kolyma, Gregory holds a Ph.D. in neurophysiology and previously served as an assistant to the legendary Yuri Lyubimov at the Taganka Theatre. After emigrating to the U.S. in 1991, he founded Wostok Entertainment, producing television programs for Russian-speaking audiences and later became CEO of NTV America. Gregory has a strong track record in documentary filmmaking, having produced award-winning works such as Vysotsky in America, Sounds of Canada, Trojan Jazz (2019), GULAG. Witnesses (2020-2024), and Mary Pickford's Kiss (2024). His projects have received accolades at international film festivals, showcasing his ability to tell powerful, culturally resonant stories. Currently, he also hosts Interview Hour on RTVi, where he continues to engage audiences with thought-provoking conversations.

Serhiy TAKHMAZOV, DOP, Ukraine

Serhiy Takhmazov is a Ukrainian cinematographer with over three decades of experience in film, television, and media training. A graduate of Kyiv University with degrees in journalism and law, Takhmazov has played a significant role in advancing visual storytelling both nationally and internationally.

His filmography includes acclaimed works such as “Between War and Peace” (2011), “To the East” (2015), “Ticket to Amsterdam” (2017), “Chronicles of the Seventh Company” (2019), “Gia Kancheli: I Used to Hate Clarinet” (2020), and “And I’m Still Alive” (2021). In 1997, he participated in Steven Spielberg’s Holocaust project, documenting Ukrainian video testimonies that became foundational for “Schindler’s List.”

For his achievements, Serhiy Takhmazov has received numerous accolades, including the Ministry of Defense of Ukraine’s "Badge of Honor," the "For Assistance to the Armed Forces" medal, the brigade badge "Pectoral Cross" from the 17th Separate Tank Brigade, and a certificate of appreciation from Ukraine's Minister of Defense. 

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Vladimir STRUNGAR, DOP, Canada
Vladimir Strungar is a director of photography who emigrated from Moldova to Canada in 2012, with extensive experience in documentary, commercial, and studio production. Known for his artistic approach, he has contributed to projects such as Darkness Casts No Shadow (2016), Sounds of Canada (2018–2021), In Fantasy I Will Be Bathed in Tears (2018), Trojan Jazz (2019), Dream Big. Through Hardship to the Stars (2019), Crazy Canuck Collections (2019), Giya Kancheli: I Hated the Clarinet (2020), Gulag. Witnesses (2021–2025), Yes, You Can! (2023), Ukrainian Mothers (2023), Taiko (2023), Mary Pickford's Kiss (2024), and others. His work has been recognized at various festivals, and for the project Sounds of Canada, he was awarded by the Canadian Ethnic Media Association for original visual solutions. Vladimir actively uses advanced cinematography technologies, bringing a unique vision to each project. He is fluent in English, Romanian, and Russian.

MIROSLAV DELEV, Sound Director, Canada​

Miroslav Delev is a sound editor and mixer with over twenty years of experience in audio production for film, television, and advertising. A graduate of New Bulgarian University in Sofia with a degree in sound engineering, he has worked on various projects in Bulgaria, Spain, and Canada. His portfolio includes sound design for documentaries such as Sounds of Canada (2017-2021), which was recognized by the Canadian Ethnic Media Association, In Fantasy I Will Be Bathed in Tears (2018), Trojan Jazz (2019), Dream Big. Through Hardship to the Stars (2019), Crazy Canuck Collections (2019), Giya Kancheli: I Hated the Clarinet (2020), Gulag. Witnesses (2021–2025), Yes, You Can! (2023), Ukrainian Mothers (2023), Taiko (2023), Mary Pickford's Kiss (2024), and others. Miroslav has also collaborated with channels like Fox International and Ethnic Channels Group, and since 2014, he has been working with ECG Productions in Canada, specializing in sound editing, mixing, and music recording. Proficient in audio software such as Pro Tools, Izotope RX, and DaVinci Resolve, he works in multiple languages, including English and Bulgarian.

Serhiy PROKOPENKO, sound Engineer, Ukraine

​Serhiy Prokopenko is a sound engineer with extensive experience in clean sound recording and audio post-production for film and television. A graduate of the Poltava Music School named after M.V. Lysenko, Serhiy has built a diverse portfolio of projects across Ukraine, Georgia, the USA, Sweden, and Switzerland.

His credits include sound recording and post-production for feature films such as Forebodings (2019), I and Felix (2020), and Stepne (2020). He has worked on documentaries like Ramblin' Jack. Beyond the Music (2019), Ballroom King (2019), and The Invasion (2023). Serhiy’s expertise extends to short films, including Wooden Wedding (2022), MAM (2020), and KingDoom (2019). Serhiy has collaborated with prominent directors such as Vyacheslav Kryshtofovych, Darya Onishchenko, Iryna Tsylyk, and Maryna Vroda, as well as international broadcasters like RTVi and TVRain. Known for his meticulous attention to detail and creative approach to sound design, Serhiy plays a key role in bringing cinematic stories to life. His work reflects a commitment to technical precision and storytelling, making him a sought-after professional in the field of audio production.

Fedor PRIKOLAB, film editor, USA

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Fedor Prikolab is the youngest member of the creative team behind War Inside Them. Despite this being his first independent editing role, Fedor has a deep personal connection to the film's subject matter. Since 2015, he has spent every summer as a volunteer at the Kyiv Military Hospital, providing direct support to soldiers and their families. An active member of Ukraine War Amps (UWA), Fedor has firsthand knowledge of many of the film's protagonists, making him an invaluable part of the team.

Fedor gained professional experience as an assistant editor on the documentary series GULAG: Witnesses, a 16-episode project exploring Stalinist labor camps. Through this work, he developed a strong foundation in crafting compelling, nuanced narratives. His dual role as a volunteer and storyteller allows him to approach the editing process with authenticity and emotional insight, ensuring the film's narrative resonates deeply with viewers.

With his fresh perspective, dedication to telling human stories, and guidance from experienced producers, Fedor is poised to make a significant contribution to the project, shaping a powerful narrative that bridges personal and global perspectives.

Yulia ORLENKO, Producer, Ukraine

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Yulia Orlenko is a producer, screenwriter, and director with a background in journalism from Taras Shevchenko Kyiv National University and advanced studies at the Wajda School and Studio in Poland. She has honed her craft through numerous workshops in screenwriting, directing, and acting in Ukraine and Poland. Awarded a scholarship by the Polish Minister of Culture, she developed her debut feature-length project, My Convenient Prison. Since 2016, Yulia has been working as a director and editing director at the Canadian production studio ECG. Her filmography includes The Goldfish (2023), He, She and War (2023), Wooden Wedding (2022), the children’s series Mama Canada (2020–2022), Night on Ivan Kupala (2021), and Crazy Canuck Collections (2018–2020). She also worked as a screenwriter for the documentary series The Game of Fate. Yulia’s work is recognized for its cultural resonance and innovative storytelling across genres.